Sunday, January 23, 2011

GI Rap

The "peacock" maneuver to finish off our bhangra dance.

Here's a link to the GI sequence rap: http://www.supload.com/listen?s=B75TNW#

With all this humor writing, ethnic dancing, and rapping, I almost feel like I'm getting a degree in music and arts rather than medical school. In fact, last week was the first week of rehearsals for the Smoker, an annual musical put on by the medical students to satirize the faculty. I'm playing Dr. Abrams, a wise white-haired pathologist. My part was originally cast with only two "guffaws" but a lot of standing around, so I added in two lines for myself. I get to dance a little bit too.

On Monday last week I went to a poetry recitation to celebrate Martin Luther King Day. This featured Angel Nafis, a former Huron High School student who is now apparently studying and/or writing poetry in New York city, and Val Gray Ward, an internationally-known actress. Nafis was introduced by her high school English teacher, who noted that she struggled in his class but was quickly becoming a famous young poet. Nafis's poems were powerful and witty, written in stream-of-consciousness style, about what it was like to be black in America. For example, one poem alternated between the word "black" and things she associated with being black. The word "black" resonated in the audience's ears, so that we couldn't escape it, just as African Americans cannot escape their skin color and all that goes along with it. Val Gray Ward recited stories and poems, like the story of Harriet Tubman, with an improvisatory style, moving freely from one piece to the next. Sometimes it was a little hard for the audience to keep track of where she was. Her accent and voice changed to match the character she was playing, and one part in which she portrayed the suffering and helplessness of slaves was particularly moving.

On Wednesday I went to a talk on the business of pharmacology by Rajesh Balkrishnan from the Michigan Center for Global Health. His talk was on "Pay for Delay," a concept I had not heard of previously. By the time a typical drug gets on the market, the big pharmaceutical companies have about ten or twelve years before their patent expires. Because drug development is such a costly process, the companies have to make the drug very expensive during that ten or twelve year period in order to recoup research costs. In Pay for Delay, a strategy that has become increasingly common in the last few years, big pharmaceutical companies like Pfizer and GlaxoSmithKline will pay millions of dollars to the generic drug companies not to produce their drug once the patent expires. The big pharma companies do this because they can still make massive profits on their expensive drug even if they are paying off the generics, and the generics are happy because they get money for doing nothing. The big losers are insurance companies and patients, who have to keep paying ridiculous prices for the drug. This is obviously a major problem, and one that requires congressional intervention to fix.

And yes, I'm still in medical school as well. We just finished up the gastrointestinal sequence, which was heavy on anatomy and biochemistry, but also had some pharmacology, which is my favorite subject. I've also signed up to coordinate the Delonis Clinic, the free clinic that Michigan medical students can volunteer at. Right now the volunteer opportunities are frustratingly small in number (students are lucky if they can volunteer one night per year), so my number one priority is to get more slots for med student volunteers, either at Delonis or another clinic in town.

Monday, January 17, 2011

Biorhythms 2011

Below are videos from the dances I participated in at Biorhythms 2011, the U of M semi-annual arts performance. These are just two of about twenty acts total, including a capella, violin solo, hip hop dances, modern dances, and more. I had an incredibly fun time learning, practicing, and performing these dances, and I'm definitely planning on participating in Biorhythms again. If you want to watch the other acts, a quick search for Biorhythms 2011 on Youtube will do the trick.

http://www.youtube.com/watch?v=vpoe6zDuW_Y

http://www.youtube.com/watch?v=P62Sn6veIb0

Monday, January 3, 2011

My fourth decade

This year I embark on my fourth decade on the planet. Wow, I'm a lot older than I thought. I have to admit I don't remember much of the '80s, although apparently some bad stuff happened, like the Exxon Valdez crash in Alaska, and some good stuff happened, like the release of Michael Jackson's Thriller. The '90s might be my favorite decade so far; my finest moment was winning the MVP award in the 8 and under all-star soccer game--it's been all downhill since. The '00s were a lot of work, and I don't see that letting up anytime soon. And here we are, in the second decade of the 21st century. If we just make it past 2012, we only have to worry about teeny issues like rampant population growth, food and water shortages, nuclear war, economic collapse, and the catastrophic consequences of global warming, to name a few. Sorry, I'm usually not this pessimistic. To make up for it, I'll humor you with a picture of what happens when you cook eggs at the lowest temperature setting on an electric stovetop for 45 minutes:
You might be asking why I cooked an egg like this for New Years brunch. The answer is that I was attempting to make the egg "cheese or cream-like" according to the method of Jeff Porter, author of Cooking for Geeks. Mr. Porter claims that cooking an egg slowly at 160 degrees F allows one to achieve smooth and delicious eggs. I ended up with a rubbery, sticky, inedible mess. Without an infrared thermometer, I cooked the eggs for too long at too low a temperature, causing them to dry out. I'll need a few weeks of rest after this traumatic experience before I try again.

Over winter break I started reading The Big Payback: The History of the Business of Hip Hop by Dan Charnas and discovered some rap gems made by old school groups like the Sugar Hill Gang and Run-DMC. In the 1980s, rap was just some guys singing clever rhymes over rock music beats--no synthesized voices, gun shots, or vulgar language every other word. These guys were geniuses. Fun fact from the book so far: How did record scratching originate? In the late 1970s DJs wanted to extend the instrumental breaks in songs so that b-boys (called break dancers today) could get their groove on. At that time the breaks were short, less than a minute. To extend the breaks, the DJs would spin identical records simultaneously and alternate back and forth between the breaks of both records. In order to match the beats during transition between records, a quick "rub" was often required. Once people discovered these rubs sounded pretty cool, the rub was expanded to the "scratch." Today there are scratching competitions for DJs.

Below are some pictures from break: